Saturday, June 25, 2005

Bad Education

For its first half, this Almodovar film felt a little precious, a little too geared towards those in grad school, those wishing they were still in grad school, and those pretending they were still in grad school. All the internal intertextuality, the multiple intersecting layers of narrative, yatta yatta yatta. And, of course, this being Almodovar, the cute boys and hot action. I was kind of wishing we had sent the DVD back unwatched and gotten disc 3 of 24, season 1. More on the 24 phenomenon.

But Spain's perennial poet of the kinky and worse pulls it together in the second half of Bad Education, gives the tale a reason to be twisted, and gets closer to Hitchcock than most do these days. And in the end, for all the drag queen hookers, drugs, anal sex, bulging crotch shots, violent deaths, corrupt, perverted priests, and other Almodovar trappings, this movie is held together by the theme of lost love, of two young boys who love each other and are torn apart, but never forget. Which lends the allegorical setting of 1977 more poignance. This is perhaps Almodovar's Raisin in the Sun. What happens to a dream deferred?

Who the hell made The Usual Suspects and what are they up to now, anyway? I know I can look this up on the so-called internet. And I will, too.

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